Family Dynamics: Q&A with MIRACLE FISHING director Miles Hargrove & THROUGH THE NIGHT director Loira Limbal and subjects Nunu and Patrick Hogan

On our final day of NFF NOW: AT HOME, enjoy these stories that celebrate family and community bonds.

MIRACLE FISHING: On September 23, 1994, American journalist Tom Hargrove was kidnapped outside his home in Cali, Colombia by separatist guerillas. His wife and two sons had no choice but to take matters into their own hands and negotiate directly for his release... and they kept a video diary of the entire process.

THROUGH THE NIGHT: An exploration of the personal cost of our modern economy through the stories of two working mothers and a child care provider whose lives intersect at a 24-hour daycare center.

Take a look at these final director Q&As and take advantage of your last chance to watch these intimate films by Miles Hargrove & Christopher Birge and Loira Limbal - through tonight, June 30, at 11:59pm EST!

For Science Lovers: Q&A with BABY GOD director Hannah Olson and LAPSIS writer/director Noah Hutton

Today we’re highlighting films at NFF NOW: AT HOME that explore the intersection of technology and ethics. These two thought-provoking films detail the far-reaching consequences of new technological developments.

BABY GOD: Hailed a miracle worker, Las Vegas fertility doctor Dr. Quincy Fortier practiced for decades. Now, with the advent of commercial DNA testing, his secret is out.

LAPSIS: In this sci-fi parable, deliveryman Ray Tincelli is struggling to support himself and his ailing younger brother. When he turns to a strange new corner of the gig economy, Ray faces a pivotal choice to either help his fellow workers or to get rich and get out.

Take a look at these two filmmaker Q&As, and catch these technologically-focused films through tomorrow, June 30, at NFF NOW: AT HOME!

For Music Lovers: Q&A with JIMMY CARTER: ROCK & ROLL PRESIDENT director Mary Wharton and RIVER CITY DRUMBEAT directors Marlon Johnson and Anne Flatté and producer Owsley Brown

For the music lovers: enjoy these two stories that share how the power of music brings us together.

JIMMY CARTER: ROCK & ROLL PRESIDENT: A testament to the power of music, JIMMY CARTER: ROCK & ROLL PRESIDENT traces how popular music helped propel Jimmy Carter into the White House and explores the significant role that music has played in President Carter's life and work.

RIVER CITY DRUMBEAT: For 30 years, Nardie White has dedicated his life to empowering African American youth in Louisville, Kentucky through his River City Drum Corps. With retirement approaching, he must train his successor in this powerful, uplifting story of music, love, and legacies.

Take a look at these two filmmaker Q&As, and watch these music-filled documentaries now through June 30 at NFF NOW: AT HOME!

For Strong Women: Q&A with 9TO5 dirs Julia Reichert & Steve Bognar and editor Jaime Meyers Schlenck, & JULIA SCOTTI: FUNNY THAT WAY dir Susan Sandler & subject Julia Scotti

Today at NFF NOW: AT HOME we’re spotlighting stories of indomitable women!

9TO5: THE STORY OF A MOVEMENT - In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces.

JULIA SCOTTI: FUNNY THAT WAY - Decades ago, Julia Scotti performed as Rick Scotti, and appeared on bills with Jerry Seinfeld and Chris Rock. Now, the trans comedian returns to the stage as “the crazy old lady of comedy,” in this tender, funny, and triumphant comeback story. WORLD PREMIERE!

Take a look at these two insightful interviews, and celebrate the power of women by watching these two stories now through June 30.

Short Film Lovers: Q&As with Short Narrative and Short Documentary Filmmakers

We have three fantastic short film programs at NFF NOW: AT HOME!

NARRATIVE SHORTS PROGRAM: FAMILY MATTERS
Values, love, and support are highlighted in this deep exploration of what a family looks like.
Films by Marco Baldonado & Walter Woodman, The Bragg Brothers, Rachel Harrison Gordon, Kantú Lentz, Chris Low, Will McCormack & Michael Govier

NARRATIVE SHORTS PROGRAM: HUMOR AND HONEY
Stories about the trials and potential of modern life, with a hint of sweetness.
Films by Cary Anderson, Chloé Atkas, Nira Burstein, Connor Hanney & Jamie Lewis, Sophie Kargman & Ryan Farhoudi, Eamonn Murphy, Deepak Sethi, Robert Summerlin & Tom Basis

DOCUMENTARY SHORTS PROGRAM: EXCELLENCE IN ACTION
Films that chronicle historic and contemporary commitments to breaking barriers.
Films by Chris Temple & Zach Ingrasci, Bill Nicoletti, Jenny Schweitzer Bell, Laurence Topham, & Charlie Tyrell

Take a look at these filmmaker interviews, and see their short films streaming online now through June 30 at NFF NOW: AT HOME! Sponsored by Eleish Van Breems.

For Globetrotters: Q&A with MAYOR director David Osit and THE MOLE AGENT director Maite Alberdi

Are you a globetrotter? Do you enjoy international stories of intrigue? Then you don’t want to miss MAYOR by David Osit and THE MOLE AGENT by Maite Alberdi!

MAYOR: This captivating portrait of life in Palestine under Israeli occupation follows Musa Hadid, the Christian mayor of Ramallah, over the course of his second term as he navigates civic responsibilities in a volatile political climate.

THE MOLE AGENT: When a family becomes concerned about their mother’s well-being in a retirement home, they hire a private investigator, who plants 83-year-old Sergio inside the home as an undercover spy.

Take a look below at Q&As with both directors, then stream their films June 23-30 at NFF NOW: AT HOME!

Five Questions With... Tim Wilkime (MILTON)

In MILTON, a guy makes a bad first impression when he meets his girlfriend’s family as they gather at her grandfather’s deathbed.

We spoke with Writer/Director Tim Wilkime about the film. The first screening is sold out, so catch the second in the Laugh Out Loud block on Sat, June 22 at 4:15pm!

NFF: Please say a little about your inspiration for the film.

TIM: Milton was based off of a personal experience I had watching my wife’s grandmother take her final breath in hospice. The family was in the room but they were catching up with each other so there were unaware of the grandmother’s passing. I had to break the news to them. It was a very surreal, uncomfortable and emotional experience but it all played out pretty normally. Years later, when I started writing shorts, I thought it would be funny to revisit that experience and write it as if it were an episode of “Curb Your Enthusiasm” but with a meek man that keeps putting his foot in his mouth.

NFF: Why (or how) do you use comedy to tell your story?

TIM: My background is in comedy directing so comedy is naturally where I go as a storyteller. Usually I work in sketch where the jokes and performances can be pretty broad but with Milton, being a dramedy, I wanted to ground the humor as much as possible. I thought if the comedy came from a honest and relatable place the emotional moments would be more impactful.

NFF: What do you find the biggest advantages and challenges of making a short as opposed to a feature?

TIM: One of the great things about shorts is that you can take bigger risks than with features. My short is pretty grounded in reality but I have kind of an abstracted ending that I don’t think I’d be able to get away with if this were a feature. Audiences embrace bold choices from a short because shorts don’t really have a traditional structure and set of rules that you have to follow. The biggest challenge with making a short is just putting the production together. You usually end up self-funding it and wearing a lot more hats than you’re used to. It can get discouraging at times but the key is just surrounding yourself with a team of people that believe in the project as much as you do.

NFF: What are you working on currently, and/or where can we see more of your work?

TIM: Currently I’m writing a feature that I hope to be making in the next year. I also directed two episodes of “Adam Ruins Everything” that will be airing later this year on TruTV. You can find my work at www.timwilkime.com.

NFF: Why are you excited to screen in Nantucket, and/or what do you hope Nantucket audiences might relate to or takeaway from the film?

TIM: As an audience member, there’s no better feeling than being in a theater full of people laughing. The hope is for MILTON to do that for the people of Nantucket. 

Five Questions With... Thomas Matthews (LOST HOLIDAY)

Back home in Washington, DC, for the holidays, a young woman and her irresponsible friends find themselves embroiled in an unexpected adventure involving kidnapping, drugs, and extortion. LOST HOLIDAY features Kate Lyn Sheil, Thomas Matthews, William Jackson Harper, and Joshua Leonard.

Writer/director/producer/actor Thomas Matthews answered our five questions in the video below - take a look, and see LOST HOLIDAY on Thurs, June 20 at 6:45pm and/or Sat, June 22 at 2pm!

Five Questions With... Alison Chernick (JACKSON POLLOCK: BLUE POLES)

JACKSON POLLOCK: BLUE POLES is the true story behind the extraordinary price tag of Jackson Pollock's Blue Poles—now considered one of the most expensive paintings in the world, and one whose purchase almost brought down the Australian government.

We spoke with filmmaker Alison Chernick about this documentary short - learn more, and see it on Thursday, June 20 at 9am in the “Show and Tell” block!

NFF: Please say a little about your inspiration for, or how you found your subject of the film.

ALISON: I was a close friend of collector/dealer Ben Heller who was responsible for getting Pollock’s work into the mainstream. He had followed my work for a while and asked me to do a film on Pollock and abstract expressionism.  When The National Gallery of Australia came to him regarding Blue Poles- which he had sold to them in 1973 - he referred me to them and this jumpstarted the project.

NFF: You're in the documentary block. How do you balance entertainment value with a factual accounting of events?

ALISON: For me I stick to facts. Truth is often stranger than fiction. It’s about how you weave the story. 

NFF: What do you find the biggest advantages and challenges of making a short as opposed to a feature?

ALISON: A short is much easier in terms of story, financing, time management.  It’s harder in terms of traditional viewer platforms. But you can’t worry about any of that you just have to let the story / subject dictate the length. Many stories can be told concisely. 

NFF: What are you working on currently, and/or where can we see more of your work?

ALISON: Working on a narrative project. Along with another documentary involving the art world.  Voyeurfilms.net

NFF: Why are you excited to screen in Nantucket, and/or what do you hope Nantucket audiences might relate to or takeaway from the film?

ALISON: Heard it was a great festival!

Five Questions With... Jeremiah Zagar, Director of WE THE ANIMALS

Adapted from the magical realist novel by Justin Torres, this Sundance award-winning film depicts three inseparable brothers growing up in a volatile household. Jeremiah Zagar brings the audience into intimate proximity with the boys, who watch, without always comprehending, the troubled relationship between their parents (Raúl Castillo, Sheila Vand), and, in their own ways, emulate them. The perspective of the youngest son, Jonah (Evan Rosado), who recognizes that he is different from his brothers, takes center stage in this poetic and impressionist coming-of-age story of self-discovery.

Read more with director Jeremiah Zagar below, and see WE THE ANIMALS on Wed, June 20 at 8:30pm and/or Thurs, June 21 at 5:30pm!

JEREMIAH ZAGAR
photo credit Mike Kamber

NFF: Can you talk a little about the challenge in adapting a book to film?

Jeremiah: After I read the book and Justin Torres said yes to having me adapt it for the screen, I brought on my friend Daniel Kitrosser, whom I’ve known since High School, to co-write the script as he had a very similar sexual experience in his upbringing to the young man in the book. Our starting point was the two of us sitting there and translating the novel directly to the screen. After participating in the Sundance Labs program, we realized there’s much more work to do. We remained as true as possible to the book, but we had to change certain things for it to work cinematically such as having the story take place over the course of one year instead of many years so the audience could have a deeper emotional connection with the characters.

NFF: How did you come to the idea of using animation?

Jeremiah: We needed to get into the interior mind of the young main character, Jonah, so at first, we just had shots of the still drawings on the page. After watching the first cut of the film, it became clear that it wasn’t enough to see these drawings laying flat on the screen. With my background being in animation and using it in my previous films, it was a go-to that made complete sense to me. Everyone involved loved the idea so we went with it.

NFF: How did you find your remarkable child actors, and what was it like building a family with them on set?

Jeremiah: We had an incredible Grassroots Casting Director Marlena Skrobe. We worked with her previously, as she was actually an intern at Public Record, the production company Jeremy Yaches and I are partners in.  Marlena went around the city and saw around one thousand kids for the film. But not only did we have to find three incredible actors, but three incredible actors that felt like brothers. I’d say finding them was less of a challenge and more of a miracle.

Once we found our cast, it was all about creating an environment on and off set where they could feel like they lived together. That was important to us as it created a beautiful bond between the actors that is intangible yet still present when watching the movie.

NFF: Did you face any challenges or surprises while filming?

Jeremiah: Everything was a challenge and a surprise.

NFF: Why are you excited to screen in Nantucket, and/or what do you hope Nantucket audiences might relate to or takeaway from the film?

Jeremiah: I hear Nantucket is a beautiful place and I wish I could be there with you.